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From the outside he's not only incredibly handsome, he also appears to be a decent, if somewhat simplistic, lower-class man. What makes Kit in Terrence Malick's Badlands a much more interesting character is the unpredictability of his speech, behavior and violent outbursts. It's easy to distance yourself from such a character, since he isn't remotely like you - in fact, he's like nobody you've ever met. If you hadn't noticed, Mickey's a very bad man. With his girlfriend, who shares the exact same personality, he drives across America and kills everything with a pulse, accompanied by loud rock-music in the background. In Natural Born Killers the protagonists has to be bald, he needs to wear sunglasses and a leather jacket, he's used to swearing in every sentence and his childhood, of course, has been very unhappy. "Malick's masterpiece, 18 November 2004 Author: Vicenzo-V- SPOILERS Here's a great user review from IMDB that made me think a whole lot more about what I'd already seen:
OGGY OGGY OGGY MOVIE
This is a very mature and intelligent movie and it makes me want to watch Thin Red Line again, and I want to see Days of Heaven (his other movie) too. Subtlety is the key with good movies, I think. I’m finding out that my favorite movies are the ones that strive for realism they’re easier to believe, or rather it’s easier to suspend your DISbelief and it makes for a more rewarding and important experience. There’s so much I like about this movie, especially after reading some reviews of it on. I think the pacing, while probably slow by most Hollywood-weened moviewatcher's standards, is perfect. Here's one I just saw-Terrence Malick's "Badlands", 1973. I'd like to focus on movies.but it doesn't really matter I'm bored as hell so I'm creating a blog. I'm discovering lots of cool stuff (see this review and my "Badlands" post) and am sure I'll find a lot more worthwhile flicks. I am more interested in reexamining the 80s (for instance, finding movies I never knew about, good or bad), and learning more about American society in the 70s, 60s, 50s, any time period really. Lately I've been almost entirely disinterested in watching films from this decade and the 90s. Important historical films at their best are able to capture a period and bring the audience as close as possible to experiencing the 'feel' of that time-I guess that kinda goes without saying though. It's movies like this that renew my faith in period pieces. You're confidant that Sayles is giving you the truth here, as best he can, through his visual style, restrained, natural dialogue and engaging historic atmosphere. You don't feel, as you do with many films churned out by Hollywood, that things have been altered and embellished for the sake of making it interesting-it's very natural, and it seems very real. It also features James Earl Jones, aka Darth Vader.Īnyway, the film is very honest, subtle and exquisite. He plays a preacher-in-training in the film, and does such a great job that it seems damn unfortunate for all of us that he didn't continue his acting career-though he would go on to make some great music, and continues to currently. All of the acting is great, including, in the starring role, Chris Cooper, (the Kansas City native who was the abusive father from American Beauty and who starred in another fantastic Sayles film from 1996, Lonestar), David Strathairn as the good-natured but stern police chief, and, in his only movie role ever (here at 14 years old), indie-folk legend Will Oldham, of Palace Music and Bonnie Prince Billie fame.
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The miners are trying to organize a union, much to the dismay of the company that employs them. It aims to document real events that concerned a small coal mining community (called Matewan) in West Virginia in 1920.
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This 1987 film (pronounced "Mate-wahn") was written and directed by John Sayles, one of my favorite filmmakers.